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How Much Weight Can Your Smartphone Gimbal Carry?

The smartphone 3 axis gimbal has become a primary kit item for filmmakers, vloggers and mobile journalists looking to get smooth video from their mobile device. They’re small, lightweight and simple to use: just power up, mount your phone and hit record. You can even add an anamorphic lens to get those videos looking even more cinematic.

But has your gimbal started to struggle? One thing us smartphone filmmakers often forget is these 3 axis gimbals have a maximum payload. So – if you are mounting a smartphone, plus a lens and case – you might find you are putting too much stress on your gimbal’s motors. If you add a counterweight, that adds more to your total payload.

Smartphone gimbals are generally low cost and very effective. But we shouldn’t expect too much – there’s a limit to how much we can ask them to do for us. And if you want your gimbal to last, then it might be worth taking a look at how much it can carry and what you are mounting onto it.

In general, most smartphone gimbals can carry a payload from about 200 – 300 grams (7 – 10 ounces). The main weight you’ll be adding to your payload is the smartphone itself.

How heavy is your payload?

An iPhone XS weighs 177 grams, iPhone XS Max 208 grams, HUAWEI Mate 20 Pro weighs 189 grams and a Samsung S10+ weighs 175g.

Now, the popular Zhiyun Smooth 4 has a max payload of 210 grams, so if you mount a iPhone XS Max you will only have 2 grams left before hitting your maximum.

The Moment 58mm Telephoto weighs 73.1 grams. The Moment case for the iPhone XS Max weighs 53.3 grams. That’s a total of phone + lens + case = 334 grams.

Gimbals by Max Payload

Here’s a list of the most popular smartphone gimbals going by max payload.

At the top of the list is the new gimbal from Zhiyun designed for smartphones, mirrorless and DSLR cameras. The gimbal has by far the highest max payload, which is understandable considering it is designed to be used with bigger cameras. It’s also over double the cost of the other gimbals.

Interesting to note that some of the less fashionable gimbals such as the Hohem and the Gimpro have quite high max payloads. Meanwhile, the popular Smooth 4 and Smooth Q score poorly.

I’m not a gimbal engineer so I don’t know how important or accurate these specifications are. However, if we are going to be loading more than just the smartphone onto the gimbal, we might be advised to pay more attention to this aspect in the future. If you are going to use your gimbal more than a few times a year, this might have an effect on the wear of the motors.

For serious gimbal users, that Crane-M2 is looking like an attractive option. Plus if you use other cameras as well, this might give you more options.

Update

On the Freevision Vilta M Amazon page it says: “No need for counterweights if total weight is less than 208g” which suggests that the max payload refers to unbalanced setups only. In which case, we can take the maximum weight to be something of a guide, rather than a strict line which must not be crossed.

This is probably a good way to approach gimbal use and selection. But still, I’m guessing we would all choose more motor power than less, if the option is there.

Smartphone Video – Beginner to Advanced

If you want to know more about smartphone filmmaking, my book Smartphone Videography – Beginners to Advanced is now available to download for members on Patreon. The book is 170 pages long and covers essential smartphone filmmaking topics:

Things like how to get the perfect exposure, when to use manual control, which codecs to use, HDR, how to use frame rates, lenses, shot types, stabilisation and much more. There’s also my Exploring the Film Look Guide as well as Smartphone Colour Grading.

Members can also access all 5 episodes of our smartphone shot Silent Eye series, with accompanying screenplays and making of podcasts. There’s other materials too and I will be adding more in the future.

If you want to join me there, follow this link.

smartphone filmmaking books


Simon Horrocks

Simon Horrocks is a screenwriter & filmmaker. His debut feature THIRD CONTACT was shot on a consumer camcorder and premiered at the BFI IMAX in 2013. His shot-on-smartphones sci-fi series SILENT EYE featured on Amazon Prime. He now runs a popular Patreon page which offers online courses for beginners, customised tips and more: www.patreon.com/SilentEye

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